| Title | Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century |
|---|---|
| Type | Bibliographic |
| Edition | |
| Year | 2008 |
| TOC | |
| Summary | "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher. |
| BH ID | BV035705107 |
| Link | |
| EPIC | |
| Open Data ID | BVB01-017758962 |
| Name | Moffitt, John F. |
|---|---|
| Type | 100 |
| Year | |
| Title | |
| Relationship | aut |
| Relator | Verfasser |
| Wikidata |
| Name | Kathedrale Toledo : Transparente |
|---|---|
| GND ID | 7636793-9 : json |
| Wikidata |