Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century

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Title Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century Type Bibliographic Edition Year 2008 TOC Summary "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher. BH ID BV035705107 Link EPIC Open Data ID BVB01-017758962

Name	Moffitt, John F.
Type	100
Year
Title
Relationship	aut
Relator	Verfasser
Wikidata

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Name	Kathedrale Toledo : Transparente
GND ID	7636793-9 : json
Wikidata

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9780786435050