| Title | The great subtraction : a brief account of select work by Giovanni Anselmo, Elisabetta Benassi, Gino De Dominicis, Francesco Matarrese, Marisa Merz, Luigi Ontani, Cesare Pietroiusti, Michelangelo Pistoletto and Emilio Prini |
|---|---|
| Type | Bibliographic |
| Edition | |
| Year | 2011 |
| TOC | |
| Summary | Since the 1960s artists from various countries have positioned themselves increasingly within a system of art that is now global in its reach. However, Italian artists in particular have, with some exceptions, resisted expressing a certain putative artistic "Italian-ness," thus undermining the global system's tendency to identify artists, artworks, and movements according to nationality. The expression "Italian art" names quite an impervious referent: it exists in a kind of limbo, perpetually suspended between abysmal default and epiphanic excess, its identity as a subject neither ascertained nor denied. Italian artworks therefore neither correspond to a preexisting array of local attributes nor resonate with a discernible web of global meanings |
| BH ID | BV040277640 |
| Link | |
| EPIC | |
| Open Data ID | BVB01-025133075 |
| Name | Guercio, Gabriele |
|---|---|
| Type | 700 |
| Year | 19XX- |
| Title | |
| Relationship | aut |
| Relator | Verfasser |
| GND | 133658228 : json |
| Wikidata | Q59527951 |
| Name | LN 10320 |
|---|---|
| Type | 084 |
| Tag | 084 |
| Scheme | rvk |
| Edition |