| Title | About stains or the image as residue |
|---|---|
| Type | Bibliographic |
| Edition | |
| Year | 2017 |
| TOC | |
| Summary | A stain is the evidence of something that was. It's a trace. A stain may be something quite ordinary: the ink stain on my index finger; the mark of your fingers on this book. A stain may also be embarrassing: lipstick on a cheek; sweat rings under the arms; a bloody discharge. A stain may be forensically incriminating. A stain may be kept for sentimental reasons. Moreover, every stain has its own particular texture. Texture denotes the consistency of a surface and the sensory, often tactile imprint that is left on it. The stain may be absorbed in the thing that supports it; then again, it may stay on the surface, something separate. Every stain is unique. In this essay the author deals with seven factors that make the stain into a powerful model for rethinking the visual: the stain as prototype and prefiguration, the stain as relic, the stain of Veronica, the stain as a psycho-energetic symptom, the stain as pars pro toto for the womb, the stain and le désir mimétique and finally the stain as an image paradigm of the residue. |
| BH ID | BV044754118 |
| Link | |
| EPIC | |
| Open Data ID | BVB01-030149696 |
| Name | Baert, Barbara |
|---|---|
| Type | 100 |
| Year | 1967- |
| Title | |
| Relationship | aut |
| Relator | Verfasser |
| GND | 133359964 : json |
| Wikidata | Q24188437 |
| Name | Fleck |
|---|---|
| GND ID | 1122462204 : json |
| Wikidata |