| Title | The museum as experience : an email odyssey through artists' and collectors' museums |
|---|---|
| Type | Bibliographic |
| Edition | |
| Year | 2019 |
| TOC | |
| Summary | The first general study of museums created by artists and/or collectors, The Museum as Experience provides fifteen case studies ranging from the turn of 1800 to the present and distributed across the globe. New in form and content, it is written as a correspondence and illustrated with many unpublished documents. Focusing on museums preserving their original installation, it analyses display as a form of expression and raises key issues about the history, geography, anthropology, and aesthetics of art museums at large. Museums created by artists and/or collectors are a favorite destination of museum lovers and raise important issues in connection with the history and evolution of art museums at large. They have developed in a critical relation to large, collective or ‘encyclopaedic’ museums, defending a primacy of experience and intimacy. And they remain attached to the persons of their founders, functioning as monuments and even mausoleums. |
| BH ID | BV046573602 |
| Link | |
| EPIC | |
| Open Data ID | BVB01-031985510 |
| Name | Gamboni, Dario |
|---|---|
| Type | 100 |
| Year | 1954- |
| Title | |
| Relationship | aut |
| Relator | Verfasser |
| GND | 12014011X : json |
| Wikidata | Q3016142 |
| Name | Gamboni, Libero |
|---|---|
| Type | 700 |
| Year | |
| Title | |
| Relationship | aut |
| Relator | Verfasser |
| Wikidata |